Friday I’m in Love: “Gimme Sympathy” by Metric (Demo Version)

If you’re reading this blog post, you most likely already know about “Gimme Sympathy” by Metric. However, you might not know about the “original” / “demo” version of it.

This post is about how the original lyrics in “Gimme Sympathy,” back when the band used to refer to the song as “The Hooks,” was part of the reason that I have the job that I have.

It all began in 2008 the summer before leaving for college. I was listening to Metric and checking out some of their music videos on YouTube while just sitting at home getting ready to go out for lunch or to shop or something. I think I might’ve gone out on a bike ride. (Or not. I think this was after the passing-out-after-2-blocks incident…)

Anyway, I found a bunch of videos of their special Myspace studios performance. It was them performing a new song from what would become their Fantasies album. I really loved the garage rock sound of their song “Gimme Sympathy/The Hooks.” I also really loved the “Every way I could I fine wine dined you” line because I’m a sucker for that kind of rhyme scheme. I also found the line “I’m sold – there’s no romance without finance” very intriguing because it seemed so cynical. At the time, I was still a naive romantic.

Fast forward to first semester sophomore year when I started kind of dating this girl. She’s the reason I began to spend every weekend in San Francisco. It didn’t really last long because she apparently wanted a sugar mama or something like that. She was always frustrated with the fact that I worked at a hot dog shop. She was always commenting on how I should get a better job and make more money. I didn’t really need a lot of money at the time (I was still in school and didn’t really have a lot of expenses) and really liked my job, so I didn’t listen to her. This also was the year (2009) that Fantasies was released. I remember listening to “Collect Call” on BART while heading over to her place.

In 2010, I began dating this other girl and it started getting “really serious.” I was head-over-heels into her, and she told me that it’s been years since she’s been into someone the way she was into me. (She was 26 at the time, and I was 20.) The beginning of the month that she and I began hanging out more (March 2010), I had actually gone to LA to visit friends and also to see Metric at the Hollywood Palladium. So I was on a Metric high again when we started hanging out.

I remember listening to Metric when we were hanging out at my apartment and that time when I basically said something like “You know their song ‘Gimme Sympathy’? Well, I really love this original/demo version of it. What do you think?” I LOVEEEEE the demo version, but she hated it. I couldn’t understand why someone would dislike a song so much, especially if it was still pretty much in old school Metric stylings. (This should’ve been when I dumped her.) But I guess it’s also how I’ll never understand how I could ever date her when she said she loved Tabasco but hated Tapatio and that Sriracha wasn’t a versatile hot sauce.

However, in retrospect, I sometimes wonder if she hated the demo version because of its slight reference to the reality of sugar mama/daddy-ness and money in dating. At the time, I was still working a few times at Top Dog (the hot dog place) and also at a bakery. I had also been doing some stuff off and on (photography and sometimes helping with filming events and a commercial) for the place that would become my job.

She kept encouraging me to get a better job and to work toward a “career” and to make more money. But still, I couldn’t really see the point at the time because I was still in school and enjoying myself and didn’t have a lot of expenses. Then a couple months later, she began complaining about how she was always broke and how she wishes she could have a “sugar parent” to finance all her travels and activities. She would always make these subtle comments about me not making a lot of money and also of me being so young.

She talked about all the things she wanted to do and have. She wanted to live in San Francisco. She wanted to travel all the time everywhere. She wanted to go to Thailand with me.

So I decided to be proactive and do what it takes to get to where I need to be in life to be able to give her the things she wanted. I really liked the photography/video gig I had and definitely saw myself doing it more, so I  talked to my friend who would become my boss about turning my occasional film/video gig into an internship. I picked up more hours at the bakery. I kept working to graduate as soon as possible. (At one point, I was taking 18 units while working two jobs and also doing my internship.) I worked really hard and kept moving up the ladder at the internship and turned it into a part-time job. “There’s no romance without finance” kept running through my mind. I felt proud of my career trajectory and of being able to hopefully give this girl everything she wanted… eventually….

Then in March 2011 while sitting at a cafe/brunch place in Austin during SXSW, I found out that she had been cheating on me for months with a guy who was older and who made tons of money.

After getting over the shock, I decided that it is true that “success is the best revenge,” so I decided to “just work on myself” and just become so fucking successful that she’d feel like shit when she saw how big of a hotshot I’d become. I also wanted to make sure that my bank account and age would never be the reason anyone would ever do what she did to me.

And that’s how the line “There’s no romance without finance” in an old version of a Metric song is partially the reason I am where I am now.

 

Lesbian Tuesday Rework: “What It Feels Like for a [Lesbian]”

Usually, Lesbian Tuesdays are when I post about cool songs by musicians who are lesbians (or really popular in the gay community). I also post songs that are SOOOO obviously lesbian-related. For example, I might post about that girl crush song Rihanna released a while back.

However, in this post, I’m going to write about what it’s like to be a lesbian, or in this specific case: How I’m a moron because I like this one girl and act all stupid because of it, so here’s a post about what it does to your mind – in playlist form.

First, all I can do is wander around with sparkly eyes thinking “You are the girl that I’ve been dreaming of ever since I was a little girl” just like in “I’m Not Going to Teach Your Boyfriend How to Dance with You” by Black Kids. (This gets problematic though because of the competitive nature of the singer when he goes “ONE, I’m biting my tongue. TWO, I’m kissing on you. THREE, is he better than me?” because I totally get all weird and question my awesomeness when there is competition.)

Next, as Madonna says in “Hung Up,” “time goes by so slowly” and “every little thing you say or do, I’m hung up, I’m hung up on you…. I don’t know what to do.”

And then, I just feel really stupid and, as it goes in Passion Pit‘s “Cuddle Fuddle,” “Now I feel silly, selfish and dizzy but I got this feeling that you’ll forgive me. Oh my god, just please don’t ever let me go…. Put up with me and I’ll make you see that things are better when you’re with me.”

And thennnnn, there are times when I feel cocky as fuck. I feel like I’m the shit. I feel like I’m Chiddy in the Chiddy Bang’s remix of “Under the Sheets” by Ellie Goulding. I walk around thinking as the lyrics go, “And if you look at me I bet I have you starry eyed…”

Other times, my brain is all ADD and just all over the place, loud, neurotic. It feels exactly listening to the Beck remix of “The Girl” by Dr. Dog.

After those neurotic times, I feel pretty awesome about myself again. I feel like what a life based on Dinosaur Jr.’s “I Want You to Know” would be like. All country-rock inspired and tough and cowboy-boot-wearing and rough around the edges.

Then, I feel all lovey dovey and romantic and cutesy like “Strange Condition” by Pete Yorn. I especially feel stupid like his lines “You know you’re the best thing to ever come out of this place” and “It’s got me out of my head, and I don’t know what I came for” and especially “So leave out the others baby, and say I’m the only oneeeeeeeeeeeeeeeeee.”

But to be completely honest, I just always end up chainsmoking and moping around to Black Light Dinner Party’s “Gold Chain” on repeat.

And that’s what it’s like being a lesbian when you like someone.

Belated Friday I’m in Love Song: “Little Numbers” by BOY

I drafted part of a Friday I’m in Love Songs post yesterday, but forgot to finish it. 🙁

It’s okay that I didn’t finish it because it wasn’t that great anyway.

Today, I’d like to discuss “Little Numbers” by BOY – partyly because it’s such a cute song and also because I have a huge theory about the band that I must share with the world. I would’ve blogged about them before, but this whole time I already thought I did. Turns out I made a Facebook post but forgot to blog.

Anyway, as a Media Studies nerd, I have to admit that we have to take into account the fact that my theories and feelings about this song are caused by experiencing the song as a song, the music video, and also the song attached to girls and being a huge lesbo and dating and all that.

This song is pretty much the musical embodiment of me being infatuated with a girl. It’s so cute. I have to admit, whenever Valeska Steiner sings “Every song just makes me think of you because the singer sounds as if she was longing, as if she was longing, too” I can’t help but smirk because I’ve totally had those moments. And then there’s the part that goes “Seven little numbers, baby, I know yours by heart. Ooohhhh All the pretty things we can be.” Thoughts like that are what motivate me to just follow my impulses to go after girls I’m really attracted to. My friends call that me just following my horndog instincts. I call it being a romantic at heart.

However, I do have to admit a few things that I constantly think of because of this song.

  1. This song is a bit outdated despited having been released in 2011. Why? Because she mentions “seven little numbers” even though (at least in the U.S.) you actually need 10 numbers – the “seven little numbers” + area code that are, as a Mad TV skit calls, the “secret code that if entered telephonically it will pass me through to you.” [Sorry, I just HAD to]
  2. I wonder if the two members, Valeska Steiner and Sonja Glass, are BFFs or lesbian lovers. I don’t want to start any rumors or anything. (Not that them being lesbian lovers would even hurt them in the entertainment industry – in fact, that would probably give them a huge cult following in the lesbian world. I forgot if it was Frankie or Stephanie, but someone mentioned that even if a band/singer sucks, all the lesbians would still go to all the shows just because we’re all just sooooo into any musician who’s gay.) Anyway, it’s because their music video makes them look so cute and girlfriend-y. I mean, come on, they keep staring into each other’s eyes all lovingly and stuff. Also, they’d be sooo cute together. Then again, what if it’s just t.A.T.u. all over again but attractive?
  3. Their video makes me want to just wander around some place in Europe in cute outfits being all lovey dovey.
  4. I fucking love their toy piano.

Anyway, like them on Facebook, buy their CD, and just keep watching them be all cute.

Rilo Kiley Sunday Evenings: “Emotional (Until Crickets Guide You Back)”

Last year, I started music theme days. I need to continue that. “Emotional (Until Crickets Guide You Back)” by Rilo Kiley was a Rilo Kiley Saturday Morning song in December, but I only posted that on Facebook. So let’s make it music blog official and state that today, which is actually a Sunday, is a Rilo Kiley Sunday Evening.

This song reminds me of how a friend of mine was telling me about never really being able to figure out where home is. As I write this, I remember someone I dated a few years ago who also said that she “do[es]n’t have a sense of home.” It makes me wonder what exactly “home” is. But I’d rather continue on about that on a different post with a different song.

Anyway, this song is amazing. It’s one of three songs that… makes me cry. I’ll have to explain that in a different post, too, I guess.

Jenny Lewis never fails to bring out the raw emotion in any of her songs (Rilo Kiley, solo work, or The Postal Service – especially in “The District Sleeps Alone Tonight”). And honestly, this is one of the best examples of it – probably also why it’s called “Emotional.”

I feel my heart break deep in my chest every time I get to the 1:53 mark.

Jenny sings “And you’ve lost your way home and it feels familiar and crickets guide you back. And you hear them calling and it sounds familiar and they might help you out.” And that just makes me think of every single girl I’ve ever heard tell me about not feeling like anywhere was home.

Then in the middle of the instrumental build up at 2:43, Jenny just screams “IT’S SO HARD!” and that’s usually when I just start crying whenever I listen to this song while feeling very emotional…

“New Year’s Eve” by Mal Blum – or How the Beginning of 2012 Took a Massive Dump on Me

Freja Beha looking hot and fashionable.

I’ll admit it, I found out about Mal Blum’s “New Year’s Eve” in a totally uncool way – it was in a commercial. No finding out about her song on a super indie music blog. No stumbling upon a tiny show of hers at a dive-y venue. No. No. No. No.

I found out about her because I was totally Google-creeping Freja Beha. I’ll be honest, I was Facebook chatting a friend and the topic of how hot Freja Beha is came up and also the fact that she’s one of my dream girls and also the fact that she’s a model and the fact that she’s a lesbian. Basically, she’s the girl I wish I could sleep with and also the girl I wish I could be. If only I were 7 inches taller…

Anyway, I happened to come across Nylon’s “Fashion Movie: Freja Beha x Free People” post about the (at the time) latest Free People ad spot featuring Freja Beha in various lookbook-esque poses and outfits.

It’s pretty obvious why they used Mal Blum’s song:

Freja Beha blurry but still beautiful.

“I don’t like my t-shirt. I don’t like my blue jeans.” I mean, come on, of course you’d want to buy some awesome Free People pieces if you’re reminded that you don’t like t-shirt or your jeans. And how perfectly timed to include a song that mentions “it’s a happy New Year unlike all the rest. Feels like I am changing, and I know it’s for the best.” What is more epitomic of change, especially New Year’s change than a total wardrobe change? And what else is perfect? “Last year is ending just in time…” Yes, last year is ending just in time, considering the ad was featured on January 31. Essentially, what music could be more perfect for a Free People ad?

Ok, Media Studies major tangent over… kind of. And no, I didn’t mean for that to all sound sarcastic. I really do believe that that song was just absolutely perfect for a January clothing ad.

Anyway, for the personal aspect of this blog post – because it’s been a while since I’ve written one of those:

The New Year for me, the beginning of 2012, felt as if it were taking a massive dump on me.

I was broke – in so many definitions and levels of the term:

  1. My bank statement looked pretty depressing.
  2. I had a disgusting cold and a decommissioned right shoulder.
  3. And for almost two weeks, I was so pathetically heartbroken that all I could do was just go home after work to a bottle of cheap wine and cry.

Most of all were five moments that seriously stick out for me:

  1. A few days before New Year’s, during one of those morning after hours, a girl asked me jokingly “Do you ever sleep alone?” reminding me of the promiscuous reputation I’ve gained among friends of mine.
  2. A few days later a different girl told me that she really wanted to sleep with me but didn’t want to just end up another girl on my list.
  3. That reminded me of a few months before when a girl told me, “I don’t want to just be another girl you sleep with. I want to feel like I’m special to you.”
  4. On December 31 around 8pm, I found out that the girl I’d fallen for at the beginning of 2011, the girl who told me that she was so physically attracted to me but who “respected” me so much that she didn’t want to be the person she used to be who would “use [me] physically”, the girl who told me that she was at a position where she felt she really just needed a friend, just got a girlfriend. An amazing, gorgeous, beautiful woman of a girlfriend. I’d never felt like more of a kid than at that moment. No matter how much I talked about my work in consulting. No matter how much I bragged about graduating a year early from a top-ranked university. No matter which big-name client I hyped up – I still felt like some stupid kid compared to this amazing, world-changing bombshell of a girlfriend of hers.
  5. And that’s when at 10:45pm on December 31, 2011, I realized that I’d never be anyone’s girlfriend – that I’m just the skinny, “attractive” kid that people want to sleep with. And yeah, 99% of the time, I love that. I just want to sleep with gorgeous women and be friends and hang out. But when it hit me that the only time I wanted anything more than that with someone as enthralling as that girl yet couldn’t have it, I nearly broke down.

And with that, I present Mal Blum’s “New Year’s Eve,” which I discovered via a Nylon Magazine post about a Free People Freja Beha ad at just the exact time I was getting over all the emotions described in the song:

Friday I’m in Love Song: “Postcards from Italy” by Beirut

I forgot to post a BoxSpeaker Music Blog Friday I’m in Love Song yesterday! Here it is:

“Postcards from Italy” by Beirut.

I saw them in October with my friend Daria.

I almost started crying during the concert because 1) it was just the best concert I’ve ever been to, and 2) it reminded me of when I was 17 and stupid and in love.

I was 17. She was 27. It was just stupid puppy love. She taught me about Beirut and Neutral Milk Hotel and moved to New York.

Kids at Midnight “No No Yeah Yeah

Two things… Actually three now that I’m on a slightly tangential mode of thinking:

1. If you know me personally, you’ll probably notice my way of thinking and talking in lists – as shown through this post.

2. Just discovered that you can not only link to individual uploaded songs on Myspace’s Music section, but you can also EMBED their music player for that specific song! (Great way to link to the actual song and, more importantly, to the actual musician’s Myspace page! I like this a lot because I’d much rather direct traffic to a musician’s account than a random person’s YouTube page simply because that’s the only place I [thought] I could find a link for the song I’m discussing.)

3. I love Kids at Midnight’s song “No No Yeah Yeah” because it begins with a chiptune beat then grows into a fuller indietronica song with more synth riffs and Jane Hanley’s trip-hop-y vocals. [MORE TO COME]

4. I need to remember to compile all my Monday Morningwoods, Lesbian Tuesdays, Hump Days, Friday I’m in Love Songs, and Saturday Rilo Kiley Mornings and actually post them here! [MORE TO COME!]

No No Yeah Yeah

“The Suburbs (Arcade Fire cover)” by Mr. Little Jeans

You already all know about my unconditional love for Mr. Little Jeans.

And what better song to add as another reason for that love than an Arcade Fire cover?

On another note, this video (unofficial and fan-made, I’m assuming) is pretty awesome because Alessandra Ambrosia’s sensual nature is a perfect embodiment of Mr. Little Jeans’s music. (Although I do think this video could have done with a lot less monster truck action.)

Check out more of Mr. Little Jeans’s music.

Song of the Day: “Put the Phone Down” by Pilot Speed

 

Another one of my oldies but goodies yet again.

I first fell in love with Pilot Speed because they sound like Pete Yorn.

Another notable aspect of Pilot Speed, or at least this song in particular, is that the line “You can have it your way” always makes me think of Burger King commercials.

Song of the Day: “Don’t You” by El May

“Don’t You” by El May is a relative oldie but goodie.

My favorite part is when Lara Meyerratken sings “The hemisphere you’re nowhere near is the one you want to be in at this time of year…. Don’t you don’t you want to be somewhere elseeeeeee” because it just makes me think about all the travel plans I hope to make a reality soon.  I mean, this is a song by an Australian reminding me that I want to go to Australia in the upcoming months.  How could I NOT love this song right now?

Then again, that’s just me fetishizing the song, Australia, and travel all at once by disregarding Meyerratken’s intended meaning and filling my ideas of it with my own meanings.  I just keep reminding myself that Meyerratken is based in Los Angeles, so there IS the probability that she IS talking about wanting to be in Australia.  Then again, you have to consider the intended speaker’s intended listener….  /MediaStudiesTangent

 

Anyway, you’d probably know about Lara Meyerratken as another Aussie’s (iie. Ben Lee’s) former band buddy.

Check out the rest of here music here: myspace.com/el_may