Friday I’m in Love: “Gimme Sympathy” by Metric (Demo Version)

If you’re reading this blog post, you most likely already know about “Gimme Sympathy” by Metric. However, you might not know about the “original” / “demo” version of it.

This post is about how the original lyrics in “Gimme Sympathy,” back when the band used to refer to the song as “The Hooks,” was part of the reason that I have the job that I have.

It all began in 2008 the summer before leaving for college. I was listening to Metric and checking out some of their music videos on YouTube while just sitting at home getting ready to go out for lunch or to shop or something. I think I might’ve gone out on a bike ride. (Or not. I think this was after the passing-out-after-2-blocks incident…)

Anyway, I found a bunch of videos of their special Myspace studios performance. It was them performing a new song from what would become their Fantasies album. I really loved the garage rock sound of their song “Gimme Sympathy/The Hooks.” I also really loved the “Every way I could I fine wine dined you” line because I’m a sucker for that kind of rhyme scheme. I also found the line “I’m sold – there’s no romance without finance” very intriguing because it seemed so cynical. At the time, I was still a naive romantic.

Fast forward to first semester sophomore year when I started kind of dating this girl. She’s the reason I began to spend every weekend in San Francisco. It didn’t really last long because she apparently wanted a sugar mama or something like that. She was always frustrated with the fact that I worked at a hot dog shop. She was always commenting on how I should get a better job and make more money. I didn’t really need a lot of money at the time (I was still in school and didn’t really have a lot of expenses) and really liked my job, so I didn’t listen to her. This also was the year (2009) that Fantasies was released. I remember listening to “Collect Call” on BART while heading over to her place.

In 2010, I began dating this other girl and it started getting “really serious.” I was head-over-heels into her, and she told me that it’s been years since she’s been into someone the way she was into me. (She was 26 at the time, and I was 20.) The beginning of the month that she and I began hanging out more (March 2010), I had actually gone to LA to visit friends and also to see Metric at the Hollywood Palladium. So I was on a Metric high again when we started hanging out.

I remember listening to Metric when we were hanging out at my apartment and that time when I basically said something like “You know their song ‘Gimme Sympathy’? Well, I really love this original/demo version of it. What do you think?” I LOVEEEEE the demo version, but she hated it. I couldn’t understand why someone would dislike a song so much, especially if it was still pretty much in old school Metric stylings. (This should’ve been when I dumped her.) But I guess it’s also how I’ll never understand how I could ever date her when she said she loved Tabasco but hated Tapatio and that Sriracha wasn’t a versatile hot sauce.

However, in retrospect, I sometimes wonder if she hated the demo version because of its slight reference to the reality of sugar mama/daddy-ness and money in dating. At the time, I was still working a few times at Top Dog (the hot dog place) and also at a bakery. I had also been doing some stuff off and on (photography and sometimes helping with filming events and a commercial) for the place that would become my job.

She kept encouraging me to get a better job and to work toward a “career” and to make more money. But still, I couldn’t really see the point at the time because I was still in school and enjoying myself and didn’t have a lot of expenses. Then a couple months later, she began complaining about how she was always broke and how she wishes she could have a “sugar parent” to finance all her travels and activities. She would always make these subtle comments about me not making a lot of money and also of me being so young.

She talked about all the things she wanted to do and have. She wanted to live in San Francisco. She wanted to travel all the time everywhere. She wanted to go to Thailand with me.

So I decided to be proactive and do what it takes to get to where I need to be in life to be able to give her the things she wanted. I really liked the photography/video gig I had and definitely saw myself doing it more, so I  talked to my friend who would become my boss about turning my occasional film/video gig into an internship. I picked up more hours at the bakery. I kept working to graduate as soon as possible. (At one point, I was taking 18 units while working two jobs and also doing my internship.) I worked really hard and kept moving up the ladder at the internship and turned it into a part-time job. “There’s no romance without finance” kept running through my mind. I felt proud of my career trajectory and of being able to hopefully give this girl everything she wanted… eventually….

Then in March 2011 while sitting at a cafe/brunch place in Austin during SXSW, I found out that she had been cheating on me for months with a guy who was older and who made tons of money.

After getting over the shock, I decided that it is true that “success is the best revenge,” so I decided to “just work on myself” and just become so fucking successful that she’d feel like shit when she saw how big of a hotshot I’d become. I also wanted to make sure that my bank account and age would never be the reason anyone would ever do what she did to me.

And that’s how the line “There’s no romance without finance” in an old version of a Metric song is partially the reason I am where I am now.

 

Lesbian Tuesday Rework: “What It Feels Like for a [Lesbian]”

Usually, Lesbian Tuesdays are when I post about cool songs by musicians who are lesbians (or really popular in the gay community). I also post songs that are SOOOO obviously lesbian-related. For example, I might post about that girl crush song Rihanna released a while back.

However, in this post, I’m going to write about what it’s like to be a lesbian, or in this specific case: How I’m a moron because I like this one girl and act all stupid because of it, so here’s a post about what it does to your mind – in playlist form.

First, all I can do is wander around with sparkly eyes thinking “You are the girl that I’ve been dreaming of ever since I was a little girl” just like in “I’m Not Going to Teach Your Boyfriend How to Dance with You” by Black Kids. (This gets problematic though because of the competitive nature of the singer when he goes “ONE, I’m biting my tongue. TWO, I’m kissing on you. THREE, is he better than me?” because I totally get all weird and question my awesomeness when there is competition.)

Next, as Madonna says in “Hung Up,” “time goes by so slowly” and “every little thing you say or do, I’m hung up, I’m hung up on you…. I don’t know what to do.”

And then, I just feel really stupid and, as it goes in Passion Pit‘s “Cuddle Fuddle,” “Now I feel silly, selfish and dizzy but I got this feeling that you’ll forgive me. Oh my god, just please don’t ever let me go…. Put up with me and I’ll make you see that things are better when you’re with me.”

And thennnnn, there are times when I feel cocky as fuck. I feel like I’m the shit. I feel like I’m Chiddy in the Chiddy Bang’s remix of “Under the Sheets” by Ellie Goulding. I walk around thinking as the lyrics go, “And if you look at me I bet I have you starry eyed…”

Other times, my brain is all ADD and just all over the place, loud, neurotic. It feels exactly listening to the Beck remix of “The Girl” by Dr. Dog.

After those neurotic times, I feel pretty awesome about myself again. I feel like what a life based on Dinosaur Jr.’s “I Want You to Know” would be like. All country-rock inspired and tough and cowboy-boot-wearing and rough around the edges.

Then, I feel all lovey dovey and romantic and cutesy like “Strange Condition” by Pete Yorn. I especially feel stupid like his lines “You know you’re the best thing to ever come out of this place” and “It’s got me out of my head, and I don’t know what I came for” and especially “So leave out the others baby, and say I’m the only oneeeeeeeeeeeeeeeeee.”

But to be completely honest, I just always end up chainsmoking and moping around to Black Light Dinner Party’s “Gold Chain” on repeat.

And that’s what it’s like being a lesbian when you like someone.

“Wrapped in Piano Strings” by Radical Face

I completely forgot about this song until this week when a friend of mine played a mix CD that had this song.

“Wrapped in Piano Strings” by Radical Face is a song that will always remind me of her. It’s one of the songs that she used to have on constant repeat on her mix CDs when we were first starting to get to know each other. She has to make mix CDs because she bought her car just one year before auxiliary inputs became standard in cars.

I also was so strangely attracted to the fact that she always found all this new music without even trying, but then again she’s always been the type of person who doesn’t even have to try at anything – she’s just so casually and easily awesome.

I won’t lie. I was so infatuated with her when we first met. She was always – and to be honest still is – my unicorn. I know this song because of her and that its style also just reminds me of her. And it just makes me think of her so much and those times when we would talk about things like love or our lives or whenever she would talk about her confusion about what to do with life sometimes. It was just so unusual for me to see this side of someone so beautiful – seeing a side of vulnerability in someone so confident. It was in those moments that I kept falling for her.

Belated Friday I’m in Love Song: “Little Numbers” by BOY

I drafted part of a Friday I’m in Love Songs post yesterday, but forgot to finish it. 🙁

It’s okay that I didn’t finish it because it wasn’t that great anyway.

Today, I’d like to discuss “Little Numbers” by BOY – partyly because it’s such a cute song and also because I have a huge theory about the band that I must share with the world. I would’ve blogged about them before, but this whole time I already thought I did. Turns out I made a Facebook post but forgot to blog.

Anyway, as a Media Studies nerd, I have to admit that we have to take into account the fact that my theories and feelings about this song are caused by experiencing the song as a song, the music video, and also the song attached to girls and being a huge lesbo and dating and all that.

This song is pretty much the musical embodiment of me being infatuated with a girl. It’s so cute. I have to admit, whenever Valeska Steiner sings “Every song just makes me think of you because the singer sounds as if she was longing, as if she was longing, too” I can’t help but smirk because I’ve totally had those moments. And then there’s the part that goes “Seven little numbers, baby, I know yours by heart. Ooohhhh All the pretty things we can be.” Thoughts like that are what motivate me to just follow my impulses to go after girls I’m really attracted to. My friends call that me just following my horndog instincts. I call it being a romantic at heart.

However, I do have to admit a few things that I constantly think of because of this song.

  1. This song is a bit outdated despited having been released in 2011. Why? Because she mentions “seven little numbers” even though (at least in the U.S.) you actually need 10 numbers – the “seven little numbers” + area code that are, as a Mad TV skit calls, the “secret code that if entered telephonically it will pass me through to you.” [Sorry, I just HAD to]
  2. I wonder if the two members, Valeska Steiner and Sonja Glass, are BFFs or lesbian lovers. I don’t want to start any rumors or anything. (Not that them being lesbian lovers would even hurt them in the entertainment industry – in fact, that would probably give them a huge cult following in the lesbian world. I forgot if it was Frankie or Stephanie, but someone mentioned that even if a band/singer sucks, all the lesbians would still go to all the shows just because we’re all just sooooo into any musician who’s gay.) Anyway, it’s because their music video makes them look so cute and girlfriend-y. I mean, come on, they keep staring into each other’s eyes all lovingly and stuff. Also, they’d be sooo cute together. Then again, what if it’s just t.A.T.u. all over again but attractive?
  3. Their video makes me want to just wander around some place in Europe in cute outfits being all lovey dovey.
  4. I fucking love their toy piano.

Anyway, like them on Facebook, buy their CD, and just keep watching them be all cute.

Rilo Kiley Sunday Evenings: “Emotional (Until Crickets Guide You Back)”

Last year, I started music theme days. I need to continue that. “Emotional (Until Crickets Guide You Back)” by Rilo Kiley was a Rilo Kiley Saturday Morning song in December, but I only posted that on Facebook. So let’s make it music blog official and state that today, which is actually a Sunday, is a Rilo Kiley Sunday Evening.

This song reminds me of how a friend of mine was telling me about never really being able to figure out where home is. As I write this, I remember someone I dated a few years ago who also said that she “do[es]n’t have a sense of home.” It makes me wonder what exactly “home” is. But I’d rather continue on about that on a different post with a different song.

Anyway, this song is amazing. It’s one of three songs that… makes me cry. I’ll have to explain that in a different post, too, I guess.

Jenny Lewis never fails to bring out the raw emotion in any of her songs (Rilo Kiley, solo work, or The Postal Service – especially in “The District Sleeps Alone Tonight”). And honestly, this is one of the best examples of it – probably also why it’s called “Emotional.”

I feel my heart break deep in my chest every time I get to the 1:53 mark.

Jenny sings “And you’ve lost your way home and it feels familiar and crickets guide you back. And you hear them calling and it sounds familiar and they might help you out.” And that just makes me think of every single girl I’ve ever heard tell me about not feeling like anywhere was home.

Then in the middle of the instrumental build up at 2:43, Jenny just screams “IT’S SO HARD!” and that’s usually when I just start crying whenever I listen to this song while feeling very emotional…

The Night I Met Kitten

Little college-aged me met Kitten at their Bottom of the Hill show in San Francisco in April 2010. I was so excited because I fell in love with the first incarnation of their song “Kill the Light” when my friend Sharon recommended them that March. I then had the “difficult” choice of staying in all night working on a paper for Media Studies 10 or going to the concert and then pulling an all-nighter to finish my paper.

I’ll never regret my choice of putting my paper off to go to the show. (Sorry Professor Levina!) Kitten was opening for a band (forgot which one 🙁  ). Very intimate setting.

Bottom of  the Hill is a 21+ venue, and I wasn’t 21 yet. However, that was the ONLY Bay Area show Kitten was playing. So I came to the venue early with a Sharpie and practically pleaded my case to the bartender and venue owner. I said that I’m a huge fan and that this was Kitten’s only Bay Area show in their tour and can you PLEASEEEEE let me see the show and I’ll even put big, huge Xes on my hands with my own Sharpie. And…

THEY LET ME!!! They just said that I couldn’t hang around the venue until the show started and that they better not catch me with any alcohol. I went to this pub-style restaurant down the street and ate some fish and chips. Then a bit before the show, I got bored, so I just stood around outside the venue waiting in what would be the line area. I saw these kids around my age hanging out near a van. I thought at first that maybe they were there for the show, too. Then I thought “van… WAIT! WHAT IF THEY’RE IN A BAND.. WHAT IF THEY’RE KITTEN?”

I thought “Fuck it” and walked up to them and asked “Hey! Are you guys.. in a band?” They said “yeah! We’re Kitten.” And my jaw practically dropped. I told them all about how excited I was to go to their show and how even more excited I was to actually get to meet them! Chloe said she liked my outfit, and I felt like the coolest person ever. They let me hang out in their tour van with them and let me take pictures and showed me their XBOX set up in the back! We hung out for a bit more before the show. It was so cool!

That was seriously the coolest moment ever for this little music blogger!

Right before performing “Kill the Light,” Chloe gave me a shout out because I told her it’s my favorite!

After the show, I got to take this awesome photo with all of them outside the venue. We tried doing this thing where we all jumped as the picture was taken. That didn’t work out that great in terms of jumping, but the photo turned out pretty awesome. I don’t think I’ve looked happier in a photo.

Image

Anyway, with that little reminiscence chronicled, I’d like to move forward to today and to the future.

Today – I want to remind you that Kitten has released two songs from their upcoming “Cut It Out” EP! You can check them out on the Kitten band site.

Future – They’re coming back to Bottom of the Hill in San Francisco on June 13!! Buy your tickets here! LA friends, be sure to catch them on June 25 at the Bootleg Theater for free!

Finally, you can check out more awesome photos from when I met Kitten here!

I <3 Kitten!

“High for This” by The Weeknd (Ellie Goulding cover)

This is a very special post. Why?

Because it is the return of BoxSpeaker Weekly Theme Days AND also a “Music to Bone to” recommendation from my friend Stephanie! I simultaneously deem this a “Music to Bone to” and Wednesday Hump Day song!

It is Ellie Goulding and Xaphoon Jones cover of The Weeknd’s “High for This.”

Click the link above to hear it on the Neon Gold Records blog. I’ll add in an embedded player later when SoundCloud stops acting up.

This cover is so sensual. Xaphoon Jones’s extensive use of an echo effect throughout the song gives the music a dreamy, sensual and somewhat heavy feel – much like Mr. Little Jeans’s “The Suburbs” cover. I would definitely have sex to this song. Slow, sensual sex. Like a lesbian drug dream – to take a term from Sassy Gay Friend.

Also, I can’t help but think “Ellie, you ARE right when you say ‘Even though you don’t roll, trust me boy, you wanna be high for this.’ heh heh heh”

Long story short, Stephanie, awesome suggestion. Everyone else, go have sex to this RIGHT NOW!

“Red Light District” by Midi Matilda

Today, I can’t stop listening to “Red Light District” by Midi Matilda.

I found out about them when I was checking out some upcoming concerts at local San Francisco venues, specifically the Rickshaw Stop. They’re playing a Popscene night on June 7. Anyway, they have a bunch of their songs available on a “Name Your Own Price” basis on their Bandcamp page, which is how I ended up having “Red Light District” shuffle on this morning.

I’m pretty sure that this is about a prostitute or a metaphor about a woman loving you the way a prostitute does. [Wow, great job at such low-level analysis… Right?]

Anyway, the singer initially sounded like the guy from the Arctic Monkeys, and the sound was very contradictorily simultaneously mellow and upbeat (the singing is slow tempoed and echo-y while the drum beats are are quick but not New Order quick) and layered with instruments’ tempos in between similar to Malbec or “Sweet Disposition” by The Temper Trap.

I was hooked by the tempo and Malbec-indie-electro-rock style, but then I fell in love with the “I can be a lover. Hold me until the next one, at least. Love me when the ___ goes” part. [I hate that my favorite part of the song isn’t even listed in the lyrics.]

Then again, [MEDIA STUDIES GEEK ANALYSIS WARNING] it might be all biased because of what’s currently on my mind right now: rebound flings. And then we end up in this situation where you have to consider your state as a human being (history, knowledge, emotions, life experiences acquired,  experiences with other similar media texts, sobriety,etc.) when you “have a conversation with” (as Levina would say) a media text and then how your interpretations would have been different if you had experienced that same exact media text in some other point of your life. I think it might’ve been a Barthes or a Baudrillard text that mentions how you never experience a text the same exact way because of developments and changes in your life – therefore, your interpretations really change between readings and therefore there can be and are almost an infinite number of interpretations and meanings within a text. Please correct me if I’m wrong. That was a very quickly written and basic explanation of what the theorist wrote, so please forgive me fro any inaccuracies.

As my friend Lara (or was it Rochelle???) would say, Sparknotes Version: Listen to Midi Matilda’s “Red Light District” and check them out on June 7 if you’re in the Bay Area because they’re pretty awesome.

5/29/12 – Correction: After checking some sites, I found out from Music is What Feelings Sound Like, that the lyrics I referenced are “I could be your lover; hold me till the next one at least. Love me when the rains come.” THANK YOU FOR CLEARING THAT UP! I’m glad I mostly heard that right and finally know what that blank was. Makes the song even better 🙂

Also – I haven’t been able to read many posts on  the Music is What Feelings Sound Like blog yet, but I’m excited to read more because I really think his/her/their (?) mission of “recreating” that “amazing feeling you felt the last time you heard a new song that changed your life” for all their readers is really awesome! I like his/her/their analyses and am excited to find out about a lot of new bands and tracks from their blog!

Kitten To Release EP “Cut It Out” – Provides Free Downloads!

Long-time readers of BoxSpeaker Music Blog – and some long-time enough that they even remember BoxSpeaker when it was MusicStarved – know that I love love love LOVEEEEE a band from my old stomping grounds of LA called Kitten.

From its initial incarnation as a more garage, lofi styled band to its evolution toward a more electro-rock or electro-inspired rock, Kitten has always been a favorite. And it continues to as it works toward releasing its Cut It Out EP! They’ve even been awesome enough to make two tracks on their EP available for free!

Download two songs and keep on the lookout for when their EP is available!

Friday I’m in Love Song: “Two Weeks” by Grizzly Bear

Grizzly Bear’s songs used to just be really cute to me. I didn’t initially connect with them enough for them to be Friday I’m in Love songs.

That changed when I saw Blue Valentine. Grizzly Bear composed almost all of the music for the movie.

At the time, I was watching my own relationship fall apart in much the same way as in the movie. The girl I was dating at the time, like Michelle Williams’s character, felt like I wasn’t good enough for her. She didn’t like that I was broke (granted, I was just a sophomore in college working at a bakery and an internship) and that I was so young (I was 20-21 at the time). (She eventually left me for an older, well-off computer programmer.) And I, like Ryan Gosling’s character, tried my best to fix things but would just keep ending up a sometimes angry but mostly sad, pathetic drunk in the process… So that movie and all the music really hit home. That’s why I dusted off my external hard drive, uploaded all my Grizzly Bear songs to my laptop, hit “Repeat,” and pretty much had a good cry for a week.

Two Weeks